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作为先觉者和潜力无边的摄影推动者,王苗说全身心地做一个题材一个故事是她最向往的事,我们期待“野外拾回的小诗”翻开新的章节,然而这一次,谁会为她配上隽永的诗句?揭去蒙在历史上的面纱,回归自我家园多年前,我在《她的视角》一书中这样写到:面对女性的眼睛,你将会选择什么样的形容词进行描绘呢?尤其是当我们透过镜头,面对的是一位女性摄影家的目光时,我们可以从中感受到一种逼人的力量。无可讳言,当代艺术界依然处于以男性为主导的强力话语的支配下,当女性的观点在许多场合被拦阻于权力的大厅或是演讲的通道外时,女性的照片仍以强有力的穿透力进入社会意识之中,使人感到一种无所不在的生命活力。
As a pioneer and boundless potential photographic promoter, Wang Miao said that she is a long-awaited subject to devote himself wholeheartedly to a theme. We are looking forward to opening a new chapter in the poem “Back in the Wild.” However, this time, Who Will Attach Meaningful Verses to her? Unmasking the Veil of History and Returning to Myself Many years ago, in my book “Her Perspective,” I wrote: What would you choose in the face of women’s eyes? Do you portray this kind of adjective? Especially when we look through the camera and face the attention of a female photographer, we can feel a pressing force. There is no denying that the contemporary art world is still dominated by male-dominated strong discourse, and when women’s perspectives are blocked in the lobby of power or the passage of speech on many occasions, the pictures of women are still strongly worn Permeation into the social consciousness, make people feel a ubiquitous life vitality.