“非典”之后艺术品拍卖的疯狂

• 作 者: 季涛
• 机 构: 天问国际拍卖有限公司,中国拍卖术语标准化起草小组,中央财经大学拍卖研究中心,
• 出 处: 市场周刊(艺术财经)
• 发表日期: 2013年06期
• 关键词: 艺术品拍卖 嘉德 艺术品市场 艺术品投资 拍卖现场 成交率 近现代书画 香港苏富比 春季拍卖会 中国书画

2003年4月,一场突如其来的“非典型性肺炎”传染病席卷全国,北京成为了重灾区。“非典”的突然肆虐,使不少行业陷入窘迫状态。作为人与人面对面、集聚性很强的一个行业,为了避免交叉感染,减少人员流动,一些拍卖公司主动延期或暂停了拍卖活动。北京、上海的春季艺术品拍卖延期,25家拍卖行近80场拍卖由4、5月无限期推后。当时,人们不禁为能否控制住“非典”而担忧,也忧虑艺术品拍卖市场也许会因此而下滑。香港苏富比举办的2003春拍于非典期间的4月份举行。虽然在“非典”阴影的笼罩下,

In April 2003, a sudden “SARS” epidemic swept the country, making Beijing a hardest hit. “SARS ” a sudden rampant, so many industries into a distress situation. As a face-to-face and highly agglomerated industry, some auction companies voluntarily postponed or suspended auction activities in order to avoid cross-contamination and reduce staff turnover. Beijing, Shanghai spring art auction deferred, 25 auction houses nearly 80 auctions from April to May indefinitely postponed. At that time, people could not help but worry about the “SARS” control, and they also worried that the art auction market may decline. The spring shootout in 2003, held by Sotheby’s in Hong Kong, took place in April during the SARS period. Although under the shadow of “SARS ”,