论文部分内容阅读
马克思“世界文学观”关注文化在国与国之间、民族与民族之间的流动、作用与影响。我们将马克思“世界文学观”放在世界文化史中考察,发现其有三种模式:西方为主体的跨文化模式;西方与非西方文化交互模式;间性文化共同体模式。马克思“世界文学观”对传统文脉采取批判性继承,对异国文化采用开放式借鉴,文化全球化与文化本土化处在两种张力(普遍性与特殊性的张力、“东方从属于西方”的张力)结构之中,处于两种张力中的文化主体面临文化招损和文化受益的价值抉择。中华文化既受惠于世界文化又要为世界文化做出贡献,中华文化的伟大复兴是否可能和如何可能是文化“全球本土化”的中国实践。
Marx and World Literature View focus on the flow, function and influence of culture between nations and between nations. In examining the history of world culture, we find that Marx has three modes: the intercultural model of the West as the main body; the model of the interaction between Western and non-Western cultures; the model of the intercultural community. Marx’s “view of world literature” takes a critical inheritance of traditional context and adopts an open reference to exotic cultures. Cultural globalization and cultural localization are under two tensions (tension of universality and particularity, In the tension of the West, the cultural subjects in two kinds of tensions face the value choice of cultural loss and cultural benefit. Chinese culture not only benefits from the world culture but also contributes to the world culture. Whether the great rejuvenation of Chinese culture is possible and how it may be the Chinese practice of culture “global localization ”.