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艺术本体的构成是一个复杂的有机过程,它是一时代所追求的哲学理念、文学主体所面临的外部世界及其相应的“内化”方式、主体的内部心灵世界及其相应的传达方式等多种因素在创作主体思维里的激活。现代文学作品《骆驼祥子》即是鲜活例证。创作主体老舍通过主体审美判断之于文本的介入;自然、社会、作家自身活动等客体因素之于文本的投射,揭诸了彼时的社会弊病与世态人情,为接受主体理解20世纪20、30年代的时代风貌、人文景观、情志形态等方方面面提供了有力的“召唤”时空。
The composition of artistic noumenon is a complicated organic process, which is the philosophical idea pursued by an era, the external world and its corresponding internalization, the inner spiritual world of the subject and its corresponding communication Ways and other factors in the creative thinking of the main activation. The modern literature “Camel Xiangzi” is a vivid example. The main body of creation, Lao She, through the subject’s aesthetic judgment on the intervention of the text; the projection of the objective factors such as nature, society and the writer’s own activities on the text, exposes the social ills and human relations in the past, Era of the times, cultural landscape, emotional forms and other aspects provide a powerful “call ” space-time.