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杨士奇(1365-1444),号东里,谥文贞,江西泰和人,以贤相著称于世,历事明朝四主,为著名的政治家。在明代的词林琬琰中,他又以其丰赡的诗文创作和重大影响而被视为明代台阁体盟主。但对于这位文坛领袖的诗学研究却一直处于缺失状态,为此本文着重探讨其主要诗学倾向。对于诗歌创作,杨士奇曾在自己的诗集序中说“余何足以言诗”①并且认为诗歌:“自汉代以下,历代皆有作者,然代不数人,人不数篇,故诗不易作也。”②不过,杨士奇自身的诗歌创作不仅在数量上大大超过同时代的其它作家,有12卷2000多首之多,③而且体式多样,④其
Yang Shiji (1365-1444), No. East, 谥 Wen Zhen, Jiangxi Taihe people, known to Yin Xian world, the calendar of the Ming Dynasty Lord, as a famous statesman. In the Ming Dynasty Lin Zhiyan, he was also regarded as the chief representative of the Taiwanese cabinet in the Ming Dynasty with his generous poetry creation and significant influence. However, the poetic study of this literary leader has always been in a state of absence. Therefore, this article focuses on its main poetic tendency. For poetry, Yang Shiqi once said in his own poem sequence that “there is enough poetry” and that poetry: “Since the Han Dynasty, there are writers in every age, Poetry is not easy to make too. ”2 However, Yang Shiqi’s own poetry not only greatly exceeded the number of other writers of the same period, with more than 12 volumes of more than 2,000 in the first volume.