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近几年中国的文化舞台上,山西文化异军突起,独领风骚。从《大红灯笼高高挂》的外景地选在山西祁县,到《晋商》、《三晋源》、《乔家大院》、《一把酸枣》,到《晚秋》、《八路军》、《吕梁英雄传》、《亮剑》等各种文艺作品形成的亮点,以及山西平遥国际摄影展的隆重热烈、晋商大院旅游的火爆壮观,让我的心里涌动着一种文化牵挂。关注的目光在苍茫的历史天空搜寻,降落在山西文化的载体和标志之一,那片匍匐着的深宅大院,定格在几百年前这些大院的主人——山西商人们的身上。我循着他们依稀的身影走去。他们抬起坐等了许久的屁股,拍拍衣裤上积年的灰尘,把个兵马俑般的背影留给我。我怔了半天,才听得一支优美而凄惶、缠绵而恢弘的旋律,从三晋大地的村口传来,向浩渺荒凉的塞外旷野飘散。那就是《走西口》。随了这诱人的旋律,我惶恐而虔诚地走进历史的尘烟。
In recent years, on the cultural stage of China, Shanxi’s culture has emerged as a unique force. From “Raise the Red Lantern,” the location of the election in Shanxi Qixian, to the “Shanxi”, “Sanjin source”, “Qiao home compound”, “a jujube”, “late autumn”, “Eighth Route Army” , “Luliang Heroes”, “Sword” and other literary and artistic works of the highlights, as well as the grand exhibition of Pingyao International Photography Exhibition in Shanxi Province, Shanxi Business Courtyard hot tourism spectacular, so my heart surging with a cultural concern. Concerned about the search in the vast sky of history, landed on one of the vectors and symbols of Shanxi culture, the creeping deep courtyard compound was fixed on the masters of these mansions hundreds of years ago by Shanxi merchants. I walked along their vague figure. They lifted their waits for a long time, patted the clinker dust on their clothes and left me a terracotta-backed figure. I was startled for a long time before I heard a beautiful and panic, lingering and grand melody, came from the village entrance to the earth in San Jin, to the desolate expanse of the wilderness outside the drift. That is “go west mouth.” With this tempting melody, I went into horror and devoutly into the dust of history.