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某种意义上,写意花鸟作为一种艺术形式,是画家参于悟道的载体,把对大自然的生机和灵趣的感悟,变成人造的心灵的真实,即变现为人们创造出来的感性直觉。晓峰喜欢雅致,纵横驱逐,不拘于一。不囿于文人画的兴趣指向和笔墨把玩,放眼当今的风物,自然中写生、观察,向造化学习。他笔底的花草、鸟虫等,“假物不如真象,假色不如天然。”神行处温而正、淡而味、贞而润,有窍、有骨、有髓,毫无孤寂荒寒之病,反倒是渣滓俱弃、气韵凫起,消弭了明艳与幽秘的隔膜,刚柔迭用,笔在墨在。
In a sense, as a form of art, freehand flowers and birds are the carriers of enlightenment by painters. They turn the perception of nature’s vitality and spiritual interest into the reality of an artificial soul, that is, they turn into sensuous intuitions created by people . Xiaofeng likes elegant, expulsion, regardless of one. Not to mention the interest of literati painting and pen and ink play, look at today’s scenery, natural sketching, observation, learning to make. His pen at the end of the flowers, birds and insects, etc., “fake as real, false color is not as natural.” God at the warm and positive, light and taste, virginity Run, orifices, bone, marrow, no Lonely deserted disease, but instead of waste Zuiguai, Qi Yun Qiqi, eliminate the Ming Yan and the secret of the diaphragm, rigid with Diego, ink in the pen.