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胡塞尔作为现象学哲学开创者,运用其哲学基本原理具体分析了美学和艺术中知觉与想象的关系,论述了审美对象的存在方式,探讨了物理图像与艺术图像的本质特征,为现象学美学的发展、兴盛奠定了坚实的基础。而胡塞尔的现象学美学与其意向性理论之间具有不可分割的内在联系。以胡塞尔现象学美学为视角,透视美国文化象征之一的《美国哥特人》具有现实意义。
As the pioneer of phenomenology and philosophy, Husserl analyzed the relationship between perception and imagination in aesthetics and art by using his philosophical basic principle. He discussed the way of existence of aesthetic object, explored the essential characteristics of physical image and artistic image, Aesthetic development, prosperity has laid a solid foundation. Husserl’s phenomenological aesthetics and its intentionality theory have an indivisible relationship with each other. From the perspective of phenomenological aesthetics of Husserl, the “American Gothic” who is one of the symbols of American culture is of practical significance.