论文部分内容阅读
《文汇报》在《批判“写中间人物”谬论、努力塑造社会主义英雄形象》的标题下,发表了一些戏剧工作者批驳“写中间人物”谬论的文章和座谈会的发言。话剧《丰收之后》的作者蓝澄在文章中说:“邵荃麟同志提倡写‘中间人物’,实质上是主张写动摇于资本主义与社会主义两条道路之间的人。”他说:“社会主义文艺必须以歌颂英雄人物为主,抽去了这一条,社会主义文艺便没有了主干和灵魂。”南京部队前线话剧团编剧白文在文章中说:邵荃麟同
Under the banner of “Criticizing” the Making of “Fallacies” and Striving to Shape a Socialist Heroic Image, Wen Wei Po published a series of essay articles and symposiums on the absurd theory of “writing middle people” by dramatic workers. Lan Cheng, author of the drama After Harvest, said in his article: “Comrade Shao Quanlin’s advocacy of writing” middle man “is in essence the advocate of writing to shake the road between capitalism and socialism.” He said: “Society The art of literature and art must be based on the praise of heroes and heroines. When this article is removed, there is no backbone or soul for socialist literature and art. ”Written by Bai Wen, a former frontline repertory troupe of the Nanjing Forces,