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广州市文化局所属原广州粤剧团是一个大约有500名艺员的艺术表演团体,1994年作了调整,分成广州粤剧一团、广州粤剧二团、广州红豆粤剧团和广州粤艺发展中心四个单位。两年多来,它们都在各自的艺术实践中为振兴粤剧事业作出了自己的努力。在这里,我仅就工作实践过程中自己所思考的有关振兴粤剧的一些不成熟的要点提出来,以就教于与会的各位专家、学者和粤剧人士。一、信心与体制1996羊城国际粤剧节的举办,我们作为组织者,在组织工作过程中,深深感受到涌动在炎黄子孙体内那种对作为自己生命一部分的粤剧艺术的热爱之情,粤剧已经融汇于他们生命的追求过程之中。如许多旅居海外的华侨一接触到粤剧、粤曲便有一种亲切感,认同感;
The former Guangzhou Opera Troupe belonging to Guangzhou Municipal Bureau of Culture is an art performance group with about 500 artistes who was adjusted in 1994 and divided into four groups: Guangzhou Cantonese Opera Troupe, Guangzhou Cantonese Opera Troupe, Guangzhou Hong Dou Cantonese Opera Troupe and Guangzhou Yue Arts Development Center unit. In the past two years or so, both of them have made their own efforts in the revitalization of the cause of opera in their respective artistic practices. Here, I only put forward some immature points on my own thinking about the revitalization of Cantonese opera in the course of my work practice, in order to teach all the experts, scholars and Cantonese opera people attending the meeting. I. Confidence and System In 1996, as the organizer of the International Cantonese Opera Festival in Yangcheng, we, as organizers, deeply felt the love of Cantonese opera art that surged in the Yan and Huang descendants as part of our own lives. Cantonese opera Have converged on the pursuit of their lives. As many overseas Chinese living abroad have come into contact with Cantonese opera, they have a sense of intimacy and identity.