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20世纪的国际当代艺术实践表明,性内容和前卫艺术总是并肩而行,形影不离。在这个世纪下半叶以来的性革命也通常与艺术思潮和实践息息相关,因为性自由与性革命同样也是前卫的事件,许多先锋艺术家同时也是性革命和同性恋的积极实践者。在今日国际艺术界,这样的态度仍然有一定的代表性,即涉及性的艺术实践总是某种先进和富有挑战性的东西,因为社会也需要艺术来冒这个险,需要艺术的偏执和凛人锐气。勇敢无畏的艺术家们前赴后继,以艺术为武器向世俗的性禁忌挑战。当然,也是因为社会学意义
The practice of international contemporary art in the 20th century shows that the sexual content and the avant-garde art are always side by side and inseparable. Sexual revolutions in the second half of this century are also often associated with artistic trends and practices, as sexual freedom and sexual revolution are also avant-garde events. Many avant-garde artists are also active practitioners of sexual revolution and homosexuality. In today’s international art world, there is still a certain degree of representativeness in this attitude. That is, the art practice of sexuality is always something of an advanced and challenging nature, because society needs art to take this risk, its art paranoid and Rin People spirit. The courageous artists went ahead and challenged the worldly taboos with art as a weapon. Of course, also because of sociological significance