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“四人帮”炮制的“文艺黑线专政”论,是对抗毛主席的革命文艺路线,全面否定无产阶级革命文艺成果的反革命谬论。在他们所谓的“黑线”中,把三十年代的革命文艺也作为“黑线”的组成部分之一,从政治上、组织上、文艺思想上全盘加以否定。关于“五四”以来包括三十年代在内的革命文艺,毛主席早有明确的、肯定的、很高的评价。毛主席指出:“在‘五四’以后,中国的新文化,却是新民主主义性质的文化,属于世界无产阶级的社会主义的文化革命的一部分。”“中国产生了完全崭新的文化生力军,……在文学方面,在艺术方面(又不论是戏剧,是电影,是音乐,是雕刻,是绘画),都有了极大的发展。二十年来,这个文化新
The “gang of four” concocted the “dictatorship of the black art of literature and art” as a counter-revolutionary fallacy to counter Chairman Mao’s revolutionary line of literature and art and to completely negate the achievements of the proletarian revolutionary literature and art. In their so-called “black line”, they took the revolutionary literature and art of the 1930s as one of the components of the “black line” and totally denied it from the political, organizational, and literary levels. With regard to the revolutionary literature and art since the May 4th Movement including the 1930s, Chairman Mao has already made clear, definite and very high evaluations. Chairman Mao pointed out: “After the May 4th Movement, China’s new culture was a part of a new-democratic culture belonging to the socialist proletariat’s socialist cultural revolution.” "China has created a completely new cultural force, ... In the literature, in terms of art (no matter drama, movie, music, sculpture, painting), there has been tremendous development .Twenty years ago, this new culture