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布莱希特的构建观念我已经指出,布莱希特戏剧的多方面成功归因于综合所有的戏剧因素,他以本世纪初的资产阶级的革命戏剧为出发点,强调了他那些剧作的综合特征,并以此来作为他现实主义的表现模式。“让我们邀请所有的姊妹艺术,不是去创造一种‘综合的艺术品’,里面它们都各行其事并都失去自身特征,而是与戏剧一起用它们各自不同的方式完成共同的任务;它们的相互关系在于:它们彼此起间离作用。”
Brecht’s Concept of Construalism I have already pointed out that the manifold success of Brecht’s drama is attributed to the synthesis of all the theatrical elements. Starting from the revolutionary drama of the bourgeoisie of the beginning of this century, he emphasized that his dramatic Synthesize characteristics, and use it as his realistic mode of expression. “Let’s invite all sister art, not to create a ’comprehensive art’ in which they all do their jobs and lose their own characteristics, but work with the theater to accomplish their common task in their own different ways; they The interrelationship is that they act in isolation from each other. ”