曹雪芹的哀祭文体观

• 作 者: 王丹
• 机 构: 大连翻译职业学院,
• 出 处: 红楼梦学刊
• 发表日期: 2004年期
• 关键词: 曹雪芹 诔文 文体 芙蓉女儿诔 吊文 哀祭 红楼梦 晴雯 黛玉 通变

哀辞、祭文、诔文、吊文等哀祭性文体集中代表了中国自上古以来的哀祭文体观念,此种观念的延续与转变体现了文体的历时性与共时性的特点。曹雪芹的《芙蓉女儿诔》即兼具各哀祭文体之文体优长,融汇各哀祭文体之观念精华。它是曹雪芹对哀祭性文体创造性的体现,也是《红楼梦》文本创作需要的体现。

The rituals of sadness, ritual, prose and dialect are representative of the concept of the sacrificial rites in ancient China since the ancient times. The continuation and transformation of this concept embodies the diachronic and synchronic characteristics of the literary style. Cao Xueqin's “Lotus daughter” is that both the style of literary grace and sacrificial offerings are excellent long, integrate the essence of the concept of various sacrificial offerings. It is Cao Xueqin's expression of sad sacrificial style, but also the embodiment of the text creation of “Dream of Red Mansions”.