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通过宗教节日仪式中的跳神活动,解析安多地区藏族祭祀仪式中的“米拉羌姆”的戏剧发生与叙事,从人类学仪式理论揭示藏族宗教节日仪式与戏剧发生的神秘意蕴,梳理祭祀仪式早期传承线索和仪式剧历史演化脉络,探寻藏族仪式剧同宗教信仰及其祭祀仪式传统的内在关联,从而对戏剧、舞蹈、仪式等的发生和表述价值进行重新认识与反思,并将这些不同的表述提高到族群记忆的层面——从戏剧叙事伸展到研究对象的内涵与外延。
Through the activities of the gods in the festival of religious festivals, this paper analyzes the occurrence and narration of the drama “Melacham” in the Tibetan sacrificial rituals in the Anduo region. It reveals the mysterious connotation of Tibetan religious festivals and plays from the theory of anthropology. The historical transmission of ritual cues and ritual dramas in the early history of ritual sacrifices, exploring the inherent relationship between Tibetan ritual drama and religious belief and ritual tradition, so as to re-recognize and reflect on the occurrence and expression of drama, dance, ritual, etc. Different representations raise the level of ethnic memory - From the extension of dramatic narration to the connotation and denotation of the research object.