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作者通过解构传统的现实主义的叙述模式刻画了主人公安娜迷乱的、失重的灵魂,展示了整个20世纪50年代动荡不安、四分五裂的社会风貌。然而,莱辛解构叙述主体与叙述形式,并不单纯是为了解构它,而是为了重构,重现这种在混乱、分裂表象下的真实存在,重构生活的信念。在《金色笔记》中,莱辛用其“支离破碎”的形式构筑了一个圆形的循环的世界,用形式作为叙述话语,提出一种新的人生观:人生是不完美的,人类过着周而复始、循环往复、平淡乏味的生活。世界是由各种混乱的因素组合而成的整体,生活的本质就是分裂无序,而生存的意义也许就在于在混乱中探索,寻找秩序与意义。
By deconstructing the traditional realist narrative model, the author portrays the heroine Anna’s confused and weightless soul, demonstrating the turbulent and fragmented social outlook throughout the 1950s. However, Lessing’s deconstruction of the narrative subject and the narrative form is not simply to deconstruct it, but to reconstruct and reproduce the true existence and the reconstruction of life under the chaotic and divisive appearance. In The Golden Notebook, Lessing constructed a circular and circular world in her “fragmented” form, and used the form as the narrative discourse to come up with a new outlook on life: life is not perfect and human beings The cycle, the cycle, flat and boring life. The world is a combination of all kinds of chaos. The essence of life is division and disorder, and the meaning of existence may lie in exploring the chaos and seeking order and meaning.