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关于戏剧冲突的内涵,迄今仍见仁见智,莫衷一是。其中主要分两大派:一派是“意志冲突说”,以已故的顾仲彝先生为代表;另一派是“性格冲突说”,以谭霈生教授为代表。尽管两派各持己见,水火不容,但又有一个共同之处,即主张所谓“戏剧冲突”,就是剧中人物之间的(意志或性格)矛盾或对立。而且这种矛盾或对立又主要通过戏剧情节与戏剧动作来表现的。于是我们便看到了诸多你死我活、紧张激烈的话剧、影片、电视剧中的尖锐的“戏剧冲突”。而地方戏的“戏剧冲突”,因受其本体美学特
As for the connotation of drama conflict, there is still a difference of opinion between today and tomorrow. There are two main factions: one is “the conflict of wills”, the late Mr. Gu Zhongyi is the representative; the other is “the character conflict”, represented by Professor Tan Sansheng. Although the two factions hold their own views and find it hard to find fault, they all have one thing in common: advocating the so-called “drama conflict” is the contradiction or opposition (will or character) among the characters in the play. And this contradiction or antagonism is mainly manifested through dramatic plot and dramatic action. As a result, we saw many sharp “drama clashes” in the drama, film, and television drama where you live and die. The local drama “drama conflict”, because of its ontological aesthetics