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探索傣戏源流,我们不能不想到“喊班涛”、“冒少对唱”、“少散朗”、“布腾拉”和“十二马”。傣家人喜欢唱歌。歌手们把眼前事物和自己在生活中的感受编成唱词,即兴歌唱,唱出来的调子就是“喊班涛”。用山歌找对象是傣族青年男女的习俗。他们在试探对方、倾吐爱情时,一唱一答,产生了“冒少对唱”的民歌形式。“冒少对唱”在赛歌场上成为了习见的形式。以后艺人们改变腔调,加上动作,发展成为“布腾拉”,用以表现人物,歌颂劳动。“布腾拉”已有说有唱,有歌有舞,还有用纸糊人跳的道具——牛,表现爷爷和孙子犁田,奶奶送饭,三人对唱。爷爷唱的是,哪个季节播种,哪个季节收获,怎样种才得丰收;奶奶
To explore the origin of Dai opera, we can not but think of “shouting Baotao,” “taking less duet,” “less draconian,” “Bintangra,” and “twelve horses.” Dai family like to sing. Singers sing their words in their immediate surroundings and their feelings in life. To find the object with the song is the customs of Dai young men and women. As they tempted each other and pumped their love, they sing and replied, producing a folk song form of “taking less duet.” “Fewer Duet” became the habitual form in the competition field. After the artists change their tone, together with the action, developed into a “Boutang La”, to show characters, praise work. “Putengla” has been said to have singing, singing and dancing, as well as props jumping with paper - cow, grandfather and grandson of performance Plow Tian, grandmother to send food, three duet. Grandpa sings, which season seeding, which season harvest, what kind of bumper harvest; Grandma