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2001年4月1日至6日在北京中国美术馆举办的“浙江画院画师作品展”,展出了17位画师的170余幅近作,犹如西子湖畔芳菲竞放,给首都带来了一片清新明丽的江南春色。 浙江画院创建于1984年,老院长陆俨少和顾生岳、刘航等10余位画师奠定了画院的基础。而今,院长潘鸿海和张浩、张华胜、徐启雄、姜宝林、曾宓、何水法等16位画师开拓着画院的新路。参展的17位画师还包括浙江画院名誉院长梁平波(现任中共浙江省委副书记)。我参观了画展,深感浙江画院整体实力很强,老中青画师梯队结构合理,不仅继承了浙派传统,而且发挥了创新才能,在目前国办画院面临困境的情况下仍富有发展的潜力。我仅就浙江画院画师作品的地域特色.传统笔墨和现代实验三方面问题略陈管见。 一、地域特色 一个地方的画院应有一个地方的艺术特色,集中打造不同于其他地方画院的独
From April 1 to April 6, 2001, the “Zhejiang Painter’s Painter Exhibition” held at the Beijing Art Museum of China in Beijing displayed more than 170 works by 17 painters. It is like Fang Fei’s presence on the West Lake, bringing a freshness to the capital Bright southern spring. Zhejiang Painting Academy was founded in 1984, the old Dean Lu Yanshao and Gu Shiyue, Liu Hang and more than 10 artists to lay the foundation of the academy. Now, Dean Pan Honghai and Zhang Hao, Zhang Huasheng, Xu Qixiong, Jiang Baolin, Zeng Qi, He Shufa and other 16 artists opened up a new road to the academy. The 17 artists who participated in the exhibition also included Liang Pingbo, an honorary president of Zhejiang Art Academy (currently serving as deputy secretary of the CPC Zhejiang Provincial Committee). I visited the exhibition and deeply felt that the overall strength of Zhejiang Painting Academy is very strong. The structure of the middle-aged and young artists’ echelon is reasonable. It not only inherits the tradition of Zhejiang School, but also plays an important role in innovation. It still has potential for development under the current dilemma of the State-owned Painting Academy. Only on the geographical features of the works of painters of Zhejiang Academy of Painting, I see a few comments on the three aspects of the traditional brushwork and modern experiments. First, the geographical characteristics of a local art academy should have a local artistic characteristics, focus on creating different from other local art academies alone