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在中央美术学院画廊展出的“中国画五人展”中,参展画家多数毕业于美术院校国画系,有几位正在中国艺术研究院硕士研修班进修。由于各自心路历程不同,他们的艺术表现也不尽一致,各有所长,却也各显所短。尽管如此,其中有几位青年艺术家的作品,由于其创造性构想,已被社会所注意,如向阳的一幅《千里江山图》已在北京首都国际机场候机厅内装展着。韩倩毕业于天津美院,她所画的作品给我留下了很强的印象:她擅于工笔,而且颇具女性特点,细腻抒情,实景中充满着梦幻感,如她这次展出的《珠莲碧透》。1995年她已出版的连环画《西汉兴衰》与《图释弟子规》,颇见传统功力,可是她不满足于仅凭线的力度展示形象的旧表现方法,她想从对生活的遐想中寻找新的艺术形象。显然,这是目前不少青年国画家在探索的新路。
Among the “Five Chinese Paintings Exhibitions” exhibited at the Central Academy of Fine Arts Gallery, most of the participating painters graduated from the Painting Department of the Fine Arts Academy, and several are studying at the Master’s Program of the China Academy of Art. Due to their different mental histories, their artistic performance is also not consistent, each has its own strengths, but also each was short. Nevertheless, some of these young artists’ works have been paid attention to by society due to their creative ideas. For example, a piece of “Qianri Jiangshan Map” has been put on display at the Beijing Capital International Airport terminal. Han Qian graduated from the Tianjin Academy of Fine Arts. Her works have left a strong impression on me: She is good at writing, but also feminine, delicate lyric, full of dreamlike realism, as she exhibited this time “Beads lotion Bi.” She had published the comic strip “The Rise and Fall of the Western Han Dynasty” and “Illustrated Disciple Rules” in 1995, but she was not satisfied with the old method of displaying the image only by lines. She wanted to find out the reverie of life New artistic image Obviously, this is the new road that many young artists are exploring now.