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在这个泛偶像的时代,有太多风采照人、气质高雅的“星”和学富五车、雄韬伟略的“家”,他们固然值得仰望和崇拜；但是,这也是一个反偶像的时代,当正统的“偶像文化”被推到极致后,许多人产生“审美疲劳”,他们开始有意识地颠覆传统,告别英雄、躲避崇高。“芙蓉姐姐”的出现和风起云涌正是如此：“她颠覆了理想型偶像的高大全假大空,掏出大众心中的真、小乃至庸常的一面,甚至以反讽、自嘲的面目出现。”殊途同归的是,在民众的集体狂欢之后,所谓的反偶像,最终又走上了炮制偶像的路子——在博客江湖,一切成为平民的现实：一个渺小的,甚至和明星毫无关联的
In this era of pan-idol, there are too many elegant people, elegant “stars” and learning-rich five-car, great “home”, they are certainly worth looking forward to and worship; but this is also an anti-idol era, when After the orthodox “idol culture” was pushed to the limit, many people produced “aesthetic fatigue”. They began to consciously subvert the tradition, bid farewell to heroes, and evaded loftiness. “Sister Lotus,” the emergence and surging exactly the same: "She subverts the idol of the big empty fake, pulled out the hearts of ordinary people, small and even common side, and even ironically, self-deprecating appearance. Is that after the mass public carnival, the so-called anti-idol eventually took the path of concocting idols - all in the blog arena, the reality of becoming civilians: a small one, even unrelated to the star