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随着中国传统士人在当时国家政治生活中逐渐占据主导地位,中国传统士人画思想开始成为指导画坛创作实践的主流理论,并不断影响其他思想文艺形态发展。臻至明代,士人画“利家”理论融合了禅宗“利根”思想和心学“宇宙在我”的观点,逐步完成了传统士夫画概念的语境建构过程,其“分宗划派”的体系对同时期的文学、音乐、印学等领域均产生了深远影响。
As the Chinese traditional scholars gradually dominated the political life of the country at that time, the Chinese traditional scholarship theory began to become the mainstream theory that guided the creation of the painting altar and constantly influenced the development of other ideological and cultural forms. In the Ming dynasty, scholar painting “Li Jia ” theory integrates Zen “Ligen ” thought and psychology “universe in me ” point of view, and gradually completed the process of constructing the context of the traditional brush painting concept, The system of “dividing and dividing” gives far-reaching impact on the literature, music, printing and other fields in the same period.