论文部分内容阅读
1984年,进入不惑之年的陈健中在他的油画艺术实践中发生了一个重大的转变。 从1969年他旅居巴黎以来的15年中,陈健中曾以他独特的艺术语言成功地获得了法国艺坛对一位东方油画家少有的承认。当年,这位年轻的中国画家在巴黎对西方传统油画进行着深入的研究。同时,也对光怪陆离的现代艺术作了细微的了解和分析,甚至他自己也一度画起了抽象的油画,以便对抽象绘画的结构、虚实、平衡、冲突、张力等造型因素以及抽象绘画和具象绘画它们之间的
In 1984, Chen Jianzhong, who entered the age of perplexity, made a significant change in his oil painting art practice. In the 15 years since his visit to Paris in 1969, Chen Jianzhong, with his unique artistic language, has successfully won the rare recognition of an oriental oil painter from the French art scene. That year, the young Chinese artist conducted an in-depth study of traditional western oil paintings in Paris. At the same time, he also made a detailed understanding and analysis of the bizarre modern art, and even once he painted an abstract oil painting to abstract the abstract elements such as the structure, actuality, balance, conflict and tension of abstract painting, Painting between them