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我认为,我们既要看到京剧的危机,也要看到京剧的生机和转机,这样才是全面的实事求是的看问题,才有利于京剧的继续发展。关于京剧是否存在危机,现在有着不同的看法。有的说:“京剧的确存在着危机。”(汪曾祺:《从戏剧文学的角度看京剧的危机》,《人民戏剧》去年第十期,以下简称“汪文”)有的又说:“京剧的危机感是丝毫也没有的。”(张汉英:《真是无可救药了吗?》,《人民戏剧》今年第二期,以下简称“张文”)孰是孰非,可以先来看看事实。今
I think we should not only see the crisis of Peking Opera, but also see the vitality and turning point of Peking Opera. Only in this way can we see the issue of seeking truth from facts in all aspects, which will be conducive to the continued development of Peking Opera. There are different opinions on whether Beijing Opera has a crisis or not. Some said: “Beijing Opera does indeed have a crisis.” (Wang Zengqi: “The crisis of Peking Opera from a literary point of view”, “The People’s Theater”, the tenth issue of last year, hereinafter referred to as Wang Wen) Some say: “Peking Opera The sense of crisis is absolutely nothing. ”(Zhang Han-ying:“ Really incurable it? ”,“ People’s Drama ”the second period of this year, hereinafter referred to as“ Zhang ”) What is right and wrong, you can first look fact. this