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中央美院油画研修班是一个很独特的油画研习、创作群体。在近二十年(共十届)的发展历程中,每届均产生几位有影响的画家。以有教养的学院语言形态积极介入当代社会生活,是其独有的文化态度。在某种意义上讲,油研班的创作历程就是一部浓缩的中国当代油画创作历程。大体上,油研班经历了现实主义、表现主义和观念性绘画三个阶段。这样说,并不否定每个阶段的风格与观念的多元性。 进入九十午代,艺术的直线性演进模式和价值追求遭到了普遍质疑,艺术家纷纷在问,艺术存在的最终依据是直线演进还是多元共生?当代艺术越来越倾向于后一种价值态度。在第十届研修班的毕业作品展上,多元共生的观念已转换为鲜明的艺术实践。这是令人欣慰的,中国美术经历了现代艺术思潮的洗礼后,已具有了初步的文化生万言书
The Central Academy of Fine Arts oil painting workshop is a very unique painting study and creation group. In the course of nearly two decades (a total of ten sessions), several influential painters have been produced each time. It is its unique cultural attitude to actively intervene in contemporary social life with a well-educated college language. In a sense, the course of creation of YAN classes is a concentrated history of contemporary Chinese oil painting. In general, YAN classes have undergone three stages of realism, expressionism and conceptual painting. Saying this does not deny the pluralism of style and concept at each stage. Entering the 1990s, the straight-line evolution of art and its pursuit of value have been widely questioned. Artists are asking whether the ultimate basis for the existence of art is a straight-line evolution or multiple symbiosis. Contemporary art tends to be more and more inclined to the latter value attitude. The concept of multiple symbiosis has been transformed into a distinctive artistic practice at the Graduation Exhibition of the Tenth Seminar. This is gratifying. After the baptism of modern art in China, the fine art of Chinese art already has a preliminary culture of thousands of words