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中国古典舞主要有汉唐、身韵和敦煌三个分支,而在这三者之中尤以敦煌舞的起源与发展最为引人注目。敦煌舞的灵感集中来源于敦煌莫高窟中的壁画,这些壁画绝大多数具有飘逸的肢体语言,所绘内容也多为舞技的舞蹈,与舞蹈艺术有极高的想通之处。敦煌舞在我国的舞蹈史上具有着重要的意义,而在本文中,笔者将从敦煌壁画与敦煌舞的联系为视角,来介绍敦煌舞形成的过程以及敦煌舞在各个时期的不同特点,以期对敦煌舞的研究做出初步的探索。
There are three branches of Chinese classical dance: Han and Tang Dynasties, Body Charm and Dunhuang. Among these three, the origins and development of Dunhuang dance are most noticeable. The inspiration for Dunhuang dance comes from murals in the Mogao Grottoes of Dunhuang. Most of these frescoes have elegant body language. Most of the murals are also dances for dancing and dance, with a high degree of imagination. Dunhuang dance has an important meaning in the dance history of our country. In this article, I will introduce the process of Dunhuang dance formation and the different characteristics of Dunhuang dance in different periods from the perspective of the connection between Dunhuang murals and Dunhuang dance. Dunhuang dance research to make a preliminary exploration.