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回顾近30年中国美术发展历程,真有隔世之感。从那个人人自畏、噤若寒蝉、色调单一的年代到如今这个艺术家们四体畅达、神采飞扬、几近为所欲为,其间的距离有如天壤。人们说,当代中国是一个没
Recalling nearly 30 years of Chinese art history, there is really a sense of seclusion. From that dauntless, cynical, single-color era to now the four artists accessible, high spirits, almost whatever they want, during which the distance is like heaven. People say that contemporary China is none at all