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桃花刚刚整理好衣冠,就面临了死亡。四月的歌手,血液如此浅淡。但桃花的骨骸比泥沙高一些,它死过之后,就不会再死。古老东方的隐喻。这是预料之中的事。生命在轮回中繁衍并且死去,犹如诗歌的变形记,词语的尸骨与感性的妖魅同时绽放于文本与创造的过程之中。仿佛前世的命定,我们无法躲避它闪电一样光芒的耀目。多年以后,诗人用自己的生命重写或刷新了这些诗句,赋予了它们以血的悲怆与重生的光辉。
Peach has just finished the dress, it faces the death. April singer, blood so shallow. However, the peach skeleton is higher than the sand, after it has died, it will not die. The ancient oriental metaphor. This is expected. Life multiplies in the reincarnation and dies, like the metamorphosis of poetry, the bones of the words and sensual demon charm bloom in the process of text and creation. As if predecessor of the destiny, we can not escape the shining light of its lightning. Years later, the poets rewritten or refreshed these verses with their own lives, giving them the glorious and rebirth of blood.