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当“铅笔”和“我”并列当铅笔的身份从工具变为对象时它的表达潜能有可能在何处滋生又在哪里蔓延和成长呢?9月22日,偏锋新艺术空间推出新展“我,铅笔”。展览既以独特的视角重新审视艺术作品中“铅笔”与艺术家的关系,同时又尝试着集中呈现“铅笔”在这些艺术家特定作品中出场的别样理由。那些隐藏在我们习惯和习见的日常素描实践当中的经验,或许也已经被忽视了很久,但正是这次“我,铅笔”展览实践尝试着想要表达和提示给观众的选择。初见胡柳的作品,起初只会觉得那是一枚又一枚空留暗影的栀子花。凑到近前细端详,花影绰约之处,你会仿佛回到了闻得到栀子
When “Pencil” and “I” are juxtaposed When the identity of a pencil is changed from a tool to an object, where is its potential for growth and where can it spread and grow? On September 22, PIFE Art Nouveau Launched new exhibition “I, pencil ”. From a unique perspective, the exhibition reexamines the relationship between pencil and artist in the artwork, and at the same time tries to focus on the different reasons why pencil is playing in these artist-specific works. The experience hidden in the routine sketching practices we used to observe and practice may have been neglected for a long time, but it is exactly this exhibition of “I, Pencil” that attempts to choose the choices you want to express and present to the audience. At first glance, Hu Liu’s work, at first, will only think that it is one after another empty space shadow gardenia flowers. Consolidate to the details before the thin, graceful place, you will be back if you smell gardenia