论文部分内容阅读
进入二十一世纪以来,做为号称“国粹”的戏曲文化,自然首当其冲的纳入了“非遗”保护之列。然而,除人力、物力和组织措施之外,面对当前戏曲市场不甚景气,保护工作困难重重的尴尬局面,又使人们在艺术本体如何进行保护的问题上,感到无比困惑。笔者认为,戏曲实为中华传统文化之艺术瑰宝,之所以数百年来一直为人民大众所热爱,不仅因为它是在中国民众生活情趣和欣赏习惯基础上
Since the beginning of the 21st century, as the drama culture known as the “national essence”, it naturally takes the first place in the protection of “non-legacy”. However, in addition to manpower, material resources and organizational measures, facing the current drama market is not very prosperous, the difficulties of protection work embarrassing situation, but also make people on the art body how to protect the question, feel very confused. The author believes that the opera is actually the art treasures of the Chinese traditional culture. The reason why it has been loved by the people for hundreds of years is not only because it is based on the Chinese people’s taste of life and appreciation of habit