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20世纪中期的女平面设计师阿普里尔·格莱曼,承继视错觉研究成果,吸收沃尔夫冈·魏因加特、阿明·霍夫曼、M.C.埃舍尔、萨尔瓦多·达利一众艺术大师设计风格的基础上,运用麦金托什电脑、摄影、打印机等现代技术所做的混合图像设计,形成了独特的新风格,开启了平面设计的革命性局面,影响至今。文章将运用文献学、作品分析与比较的方法,探讨格莱曼平面设计代表作品的视错觉传达风格,以研究借鉴。
Mid-20th century female graphic designer Apriril Gleiman, following the illusion of research results, absorb Wolfgang Weinart, Armin Hoffman, MC Escher, Salvador Dali Based on the design style of a number of masters of art, the hybrid image design using modern technologies such as Macintosh computers, photography, printers and others has formed a unique new style, opening up a revolutionary aspect of graphic design and affecting the present day. The article will use the methods of documentology, works analysis and comparison to explore the style of illusion transmission of representative works of Graeme in graphic design, and to learn from it.