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李晓林的油画用色概括简洁.时笔触狂放.时执油画刀当笔.采取刮、拉、挫等刀法直抒胸臆.塑造出的图形轻松而有意趣。每个画家的气质、爱好、审美不同.因而在对客观的描绘中定会将自己的主观审美体验和情绪自觉或不自觉地流露出来,而使客体的某些因素被强化或放大.或将另一些因素弱化。显然李晓林的油画作品.已不是对大自然的纯粹客观再现.而是将“逼真”“肖似”和“惟妙惟肖”的写实.转向“取其意气所到”“诗凭写意不求工”的写.他的油画作品常以调和为主的色彩构成.在间断错落的明暗分布中运用互补的色彩对比或互融.有灿烂而纯真的抒情意味.其作品感觉因素与情感因素交融.在技法上笔触阔略、明显.使画作具有温情、古典.柔美的情趣。这是他充分发挥中国画“写意性”和“抽象性”.精心处理色调、空间、形体与动势等因素.从而达到的感染观众的艺术效果。
Li Xiaolin’s oil painting color is concise and simple.When the brush strokes wild.When the oil painting knife when the pen.Using scraping, pulling, frustration and other knife straightforward expression.Shaping the graphics easy and interesting. Each painter’s temperament, hobbies, aesthetic differences, so in the objective description will be subjective aesthetic experience and emotions will be consciously or unconsciously revealed, leaving some of the objects were strengthened or magnified. Other factors are weakened. Obviously, Li Xiaolin’s oil painting works are no longer a purely objective reproduction of nature, but the reality of “realism ” “similar ” and “vivid” To “Poetry by writing does not ask for work.” His paintings are often composed of reconciled color composition in the intermittent light and dark distribution of complementary use of color contrast or mutual melting. Bright and pure lyrical means. Works of feeling factors and emotional factors blend in the tactics on a broad and obvious, so that paintings with warmth, classical, soft taste. This is his full display of Chinese painting “freehand ” and “abstract ”, carefully handling factors such as hue, space, body and momentum, thus achieving the artistic effect of infecting the audience.