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造型绘画各专业具有相似性,相似性在绘画中的存在也是客观、正常的,符合艺术规律的特征。第一,绘画与所表现的客观对象之间存在相似性。齐白石说,“画贵在似与不似之间”;黄宾虹又提倡作画“绝似又绝不似”;毕加索说,绘画意义的大小在于其引入语言符号的多少;马蒂斯说,准确不等于真实;郑板桥说,画竹必先成竹在胸,胸中之竹源于眼中之竹又非尽是眼中之竹。也就是说,绘画是一种相对于客观自然表现对象的相似性艺术。绘画应当是自
The various professions in modeling painting have similarities. The existence of similarity in painting is also objective, normal and in line with the law of art. First, there is a similarity between the painting and the objective objects it represents. Qi Baishi said, “painting is like between you and not like”; Huang Binhong also advocated painting “absolutely like and never like”; Picasso said that the meaning of painting is the size of its introduction of language symbols; Matisse Said that accurate does not mean true; Zheng Banqiao said that painting must first bamboo, bamboo in the chest from the eyes of the bamboo is not the eyes of the bamboo. That is to say, painting is a kind of art of similarity with respect to objects of objective and natural expression. Painting should be self