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漫画和其它文艺一样,要有感而发。但这“感”并不是作者独有的,他必须和多数人共感,漫画才起作用,否则就是无病呻吟。漫画作者并非天生特别善感和敏感,他需要从读者和群众那里得到支持和帮助。技巧和幽默是学来的,电影观众对每一影片评论的语言中就有很多幽默。另外,笑话、相声、小说、诗、戏剧、电影以及各种美术作品里都有大量可学东西。我是七九年才开始学画漫画的,由于原来从事电影放映工作,对电影另有番情意,所以更喜欢画些电影题材的漫画。在创作时我采用“勤看”、“多听”、“带琢磨”的办法。勤看即:看电影、看剧本、看影评文章。多听:听观众的反映、听电影录音剪辑、听新闻联播节目。常琢磨:对某一种观点、对影片的故事
Comics and other arts, like to have the feeling. But this “feeling” is not unique to the author. He must share the feeling of the majority and the comic works, otherwise he is moanless. Comic book authors are not particularly good and sensitive to nature, he needs to get support and help from readers and the masses. Skill and humor are learned, moviegoers have a lot of humor in the language of each movie comment. In addition, jokes, comic books, novels, poetry, drama, movies and various art works have a lot to learn. I started learning to draw cartoons only in 1979, and since I was originally engaged in the screening of films, I was more concerned with the movie, so I preferred to draw comic books on movie themes. At the time of writing, I used the methods of “looking hard”, “listening more” and “taking pondering”. Qin look that is: watching movies, watching the script, see the film reviews articles. Listen more: listen to the audience’s response, listen to movie recordings, listen to newscasts. Often pondering: on a certain point of view, the story of the film