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牛克诚先生在《从山水到“山水”——当代山水情怀与图式》一文中写道:“山水上升为‘山水’,山水就不再是外在于人们的客体,而是被人们体认与感受的第二自然,‘山水’可能不会穷尽自然山水一切细致而复杂的形质面貌,但它一定会传达出那一片山水画的风神与意蕴;因此‘山水’就不是对于景物的自然描摹,而是带有鲜明的图式特征的。”~[1]图式是一个具有学理性的概念,它最初来源于人类对于自身以及客观世界的认知方式。人类自身想象力
In his article “Landscape from Landscape to Landscape” - “Contemporary Landscape and Emotions”, Mr. Niu Kecheng wrote: “When landscapes rise to landscapes, landscapes are no longer external to people’s objects but people The second nature, which is the recognition and feeling, may not be able to exhaust all the meticulous and complicated features of the natural landscape. However, it will certainly convey the Fengshen and the implication of that landscape; therefore, ’landscape’ is not for the scenery It is characterized by natural features but with distinctive features of the schema. ”[1] Schema is a rational concept originally derived from human cognition of itself and of the objective world. Human self-imagination