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1900年,斯克里亚宾进入他创作的中期转折阶段。这一时期,他阅读了大量哲学名著,并开始接受尼采哲学、唯我意识论以及叔本华的非理性观,作品也开始倾向于神秘主义,而作于1903年的《第四钢琴奏鸣曲》正是这一时期的代表作。从整体来看,《第四钢琴奏鸣曲》起到了“承上启下”的作用。“承上”是对以前早期作品的一个总结,“启下”则是在神秘主义观念形成后的一种创作上的新起点,即他的神秘主义思想开始逐步渗透到他的作品当中。本文以这些方面为基点,对这一奏鸣曲进行了分析。
In 1900, Scriabin entered the mid-term transition of his creation. During this period, he read a large number of philosophical works, and began to accept Nietzsche’s philosophy, self-consciousness and Schopenhauer’s irrational view, the work also began to tend to mysticism, and in 1903 “Piano Sonata” It is the masterpiece of this period. On the whole, “Fourth Piano Sonata” has played a role of “bearing on and opening up”. “Undertaking ” is a summary of the earlier works, “Kai ” is a creation of a new starting point after the formation of the concept of mysticism, that is, his mysticism began to gradually penetrate into his Among the works. Based on these aspects, this essay analyzes this sonata.