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《中国花卉盆景》杂志去年第二期载钱安同志关于《我国现代盆景的风格流派》一文,认为我国现代盆景可分为北派和岭南派两大主要流派。从地域、选材、手法和整体造型等方面分析,我以为我国现代桩景风格流派已不再是北派与岭南派的两军对峙局面,而已形成了以成都、杨州和南通等地为代表的北派,以厦门和广州等地为代表的岭南派与
In the second issue of last year, Compendium of Chinese Flowers and Bonsai, entitled “A Genre of Modern Chinese Bonsai”, commented that modern Chinese bonsai can be divided into two major schools, the North School and the Lingnan School. From the perspectives of geography, material selection, technique and overall modeling, I think that the modern style of the modern Chinese post-stance landscapes is no longer the confrontation between the two armies of the North and the South of the Five Ridges, but has been shaped by the positions of Chengdu, Yangzhou and Nantong Of the North faction to Xiamen and Guangzhou, represented by the Lingnan faction and