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儿童摄影经历了种种风格变迁之后,出现了越来越多“拒绝矫饰.回归真实”的呼声。有人提出“纪实式拍摄”的概念,但在实际操作中,一些人仍会有困惑,刻意引导与纯粹抓拍之间的界限有时难以划清。暂且不去探讨“纪实式拍摄”的理论。摄影师赵承洋的这一系列花絮式作品,记录的恰恰是在拍摄间隙孩子的表现.以及与爸爸妈妈之间的互动.自然天成,这也为儿童摄影师们提供了一种拍摄的思路。
Children’s photography has experienced a variety of style changes, there are more and more “refuse to pretend .Return to real ” voice. Some people have put forward the concept of “documentary filming”, but in practice, some people may still be confused, and the boundary between deliberately directing and purely capturing may sometimes be hard to draw. For the time being not to discuss “documentary shooting ” theory. Photographers Zhao Chengyang this series of footage, recording is precisely the performance of children in the shooting gap and the interaction between Mom and Dad.Naturally natural, it also provides children photographer with a filming ideas.