论文部分内容阅读
哈罗德·品特是英国荒诞派戏剧最有影响的作家,他发表过诗歌散文、短篇小说、长篇小说,但他的艺术才华、杰出成就主要表现在二十几个剧本上。如《生日晚会》、《房间》、《升降机》、《隐隐作痛》、《整夜在外》、《看房人》、《回家》、《昔日》。他的剧旨在揭示作为人们交流思想工具的语言已成为人们沟通思想的障碍,人们因无法准确地表达自己、无法正确地理解他人而感到痛苦;人们缩进贝壳式的小屋,企求宁静安详的生活,而这种镜子式的生活随时都有可能被外来人的侵入、外来力量的袭击而砸得粉碎;人深感自己是被抛到存在中来的非人化的存在,人生毫无意义,生活没有目的,没有根基,只有孤独忧愁、恐惧绝望;人为了证实自己的存在,只有在他人身上寻回失落的人格。语言危机、恐吓威胁、非人存在,寻找自我是品特再现人与他人、人与社会、人与世界相脱节、不谐调而造成的人生荒诞的几个方面。
Harold Pinter is one of the most influential writers in English absurd theater. He has published poetry essays, short stories and novels, but his artistic accomplishments are mainly manifested in more than two dozen scripts. Such as “birthday party”, “room”, “lift”, “faint pain”, “all night”, “show room”, “home”, “past.” His play aims to reveal that language as a tool for people’s exchange of ideas has become an obstacle to people’s communication of ideas. People feel pain because they can not accurately express themselves and can not correctly understand others. People retract into shell-lined huts to seek peace and tranquility Life, and this mirror-like life at any time may be alien invasion, external attack smashed smashed; people feel that they are being thrown into the inhuman existence, life meaningless , Life has no purpose, there is no foundation, only lonely sorrow, fear despair; man in order to confirm his existence, only to find the lost personality of others. The crisis of language, threat of intimidation, inhuman existence, and the search for ego are some aspects of the absurd life caused by the fact that Pinter reproduces man with others, man and society, man and the world are out of touch and disharmony.