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当代中国的都市时尚艺术存在没有审美精神、缺少好的审美精神或外部强加的审美精神三个问题。这些问题的产生主要有经济文化和思想历史两方面的原因。今天的生产—消费逻辑是侵蚀审美精神空间的直接助力,正是它将时尚艺术变成肉身的摆设和符号,造成精神维度的阙如。但这种情况的出现有其内在的历史成因,是历史上人们对肉身的压制带来了对精神元素厌倦,对释放肉身的渴望。因此,若想解决上述问题,一是要肯定肉身存在的必然性和重要性,二是要把精神理解成自发的意韵而不是思想,三是让审美精神自然生成个性化、超越性的精神,而超越性则是我们评估都市时尚审美精神的价值标准,其立足点在改善我们的生活。
Contemporary China’s urban fashion art there is no aesthetic spirit, the lack of a good aesthetic spirit or externally imposed three aesthetic issues. These problems are mainly due to the two aspects of economic culture and ideological history. Today’s production-consumption logic is a direct aid to erode the space of aesthetic spirit. It is precisely because it turns the fashion art into a symbol and a body of flesh, resulting in the absence of mental dimensions. However, the emergence of such a situation has its inherent historical causes. It is the historical suppression of the human body by the people that brought about the tiredness of the spiritual elements and the desire to release the body. Therefore, if we want to solve the above problems, we must first affirm the necessity and importance of physical existence; second, we should understand the spirit as a spontaneous intention rather than an idea; third, let the aesthetic spirit naturally generate the spirit of individualization and transcendence; The transcendence is the value standard of our assessment of urban fashion aesthetic spirit, and its standpoint is to improve our life.