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一盆作品的优劣是从多方面看的,首先是看树桩的形态如何,而不是单一地看盆几搭配得怎样。我们常说一木二盆三几就是强调了树桩造型是主要的,其次才是盆几的搭配。今年第六期夏大凯同志对盆景作品《展翅飞舞》的评价,其中过多地强调了盆石的搭配,而忽略了树桩的造型。夏文给人的印象是:盆石搭配得好也算好作品。这就颠倒了木与盆的主次关系。夏说树形“弯曲极不自然,再加上左右对称,上下平行的两台,显得较呆板,是很不理想的”。又说“恰到好处地布上几块乱石,使整个作品的树、
The pros and cons of a pot of works is seen in many ways, first of all look at how the shape of the stump, rather than a single look how the bowl with how. We often say that a wood basin three is to emphasize the stump shape is the main, followed by a few pots with. In the sixth installment of this year, Comrade Xia Da Kai commented on the work of Bonsai, “Spread wings and Fly”, in which he emphasized too much on the arrangement of pots and stones while ignoring the shape of stumps. Xiawen gives the impression that: potted stone with good work is also considered a good work. This reversed the primary and secondary relations between wood and pots. Summer said the tree “bending is very natural, coupled with symmetrical, up and down two parallel, appear more dull, it is not ideal.” Added: "Just a few pieces of cloth on the cloth, so that the entire work of the tree,