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作为中国美术史上第一个正式命名的画派——浙派,无疑应占有极其重要的地位,然而自明末以来,由于门户派别之见,浙派的声誉每况愈下,其固有的成就和影响渐趋湮灭,这当然是很不公平的。或许是笔墨的表现力至元代已被发挥得淋漓尽致,中国绘画到了明代,开始呈现出停滞的趋势。唐人论画,自认为远过前人;宋人论画,既有“今人佛像鞍马,殆不及古”的清醒认识,也有“花竹禽鸟山水,古不及今”的自信。(郭若虚语)至于明代,绘画技巧上的进步微乎其微,大多停留于对古人的摹仿,画面中触目皆是的“临某某笔”、“拟某某山水”等已明确
As the first officially named school of painting in the history of Chinese art, the Zhepai School undoubtedly occupies an extremely important position. However, since the end of the Ming Dynasty, due to the factional sentiments of the portals, the reputation of the Zhepai school has been deteriorating and its inherent achievements and influences have been annihilated. This is of course very unfair. Perhaps the expressive power of the pen and ink was fully exerted by the Yuan Dynasty. When the Chinese painting reached the Ming Dynasty, it began to show a stagnant trend. On the theory of the Tang people, they considered themselves as being far away from their predecessors. On the other hand, the theory of the Song dynasty is both clear-cut and clear-cut. (Guo Ruoxu) As for the Ming Dynasty, the progress of the painting skills is minimal, most of them remain in the imitation of the ancients, the screen is visible in the “Pro a certain pen”, “a certain landscape” have been clear