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鸦片战争之后,西方工业革命后的世界全球化浪潮以血与火的野蛮方式打开中国的大门。中华民族面临民族生存危机、传统文化危机的同时,也面临传统文学的存续危机。在重重危机之下,近代知识分子以百折不挠的努力,寻找国家的生机与民族的出路,也在寻求中国文学的重建。八十年的近代文学,与近代中国社会进程、文化思想变革紧密联结,救亡与启蒙的主旋律回荡始终。近代文学的主导风格与审美风貌,走过悲痛忧愤,渐趋于昂扬躁厉,终至于明朗乐观。近代文学转型的艰巨性、曲折性与急遽性,使它具有亦新亦旧的过渡性特征,为后来者开启走向现代化的新方向。
After the Opium War, the global wave of globalization after the Western Industrial Revolution opened the door to China with barbarism in blood and fire. While facing the crisis of national existence and traditional culture, the Chinese nation is also facing the crisis of the survival of traditional literature. Under the heavy crisis, the modern intellectuals, with their indomitable efforts, sought for the vitality of the country and the way out for the nation and also sought the reconstruction of Chinese literature. Eighty years of modern literature have been closely linked with changes in social progress and cultural thought in modern China, and the main theme of salvation and enlightenment has always been echoed. The dominant style and aesthetic style of modern literature, passing grief and anguish, tend to be high-spirited and vigorous, and finally bright and optimistic. The arduousness, tortuosity and urgency of modern literary transformation make it have the transitional characteristics of both new and old, opening up a new direction for modernization for the later generations.