论文部分内容阅读
“身体美学”与身体哲学在某种意义上并没有确切的划分,它们一直被泛化地运用,在西方,生物学上的身体实在主导着哲人们对于身体的思考,同时认为心灵的根源应该放在身体之内,最能标注人存在的是身体,身体和主体是同一实在。在汉代,情、性、心、身、气、才、欲构成身心的整体,他们更多的是在探索形、神、志、气以求达到灵肉合一的身心观。汉画是中国汉代的生活史料,以其中的古代体育、武术、蹴鞠等为基础,我们可以探索其表现出来的身体美特征,进而厘清汉代人追求这种美的背后对于生命关怀的实际意义。
Body aesthetics does not have a definite division of meaning in the sense of body philosophy. They have been used in a generalized way. In the West, the biological body actually dominates philosophers’ thinking of the body. At the same time, Roots should be placed within the body, the most annotated person is the existence of the body, body and subject are the same reality. In the Han Dynasty, love, sex, heart, body, spirit, talent, and desire to form the body and mind as a whole, they are more in the exploration of form, God, ambition and spirit in order to achieve spiritual and spiritual unity of mind and body. Han painting is the historical material of the Han Dynasty in China. Based on the ancient sports, martial arts, and Juju, we can explore the physical characteristics of the body, and clarify the practical significance of caring for life behind the pursuit of such beauty by the Han Dynasty.