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古原,是新东方表现主义的艺术大家。他近乎痴迷地表现着对于中国文化的感悟。他可以在第一时间敏锐地抓住具有灵魂的文化符号,而不屑于与其他人一样照花画花,照猫画虎。一个艺术家创作的主因必是源于其生活经验与视觉体验,但是能够随境而动、随类赋彩,也绝非易事。古原从未隐藏自己眼前看到的一切,每次闪过的灵感都能被敏锐地攫取。从早期《西藏系列》信仰的升腾,《民居系列》淡淡的乡愁,《九寨系列》自然的回响,再到《飞机系列》《蔷薇系列》《三峡系列》对于现代文明、社会灾难以及工业化的反思。当古原到西安进行艺术考察
The ancient original, is the art of new Oriental expressionist. He almost obsessed with the performance of Chinese culture. In the first instance, he can seize the spiritual symbols of the soul keenly and disdain, as others do, according to the flowers, cats and tigers. The main reason for an artist’s creation stems from his life experience and visual experience. However, being able to move with the environment and classifying with his class is no easy task. The ancient original never hide what you see before each flash of inspiration can be sharp grab. From the rise of early “Tibet Series” faith, the faint nostalgia of “Residential Series”, the natural reverberation of “Jiuzhaigou Series” and the rethinking of modern civilizations, social disasters and industrialization in “Aircraft Series”, “Rose Series” and “Three Gorges Series” . When the ancient original Xi’an to study art