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戏曲“甩发”（亦称“水发”、“梢子“）功,是老生、小生行当演员大多具备的技艺,时见于武生、净与旦角,但以小生范畴的“穷生”（又称“苦生”、“鞋皮生”等）用之较多,是“穷生”演员必须掌握的艺术手段之一。根据《聊斋志异》创编的《画皮》一戏,主人公王生为“黉门秀士”,风流倜傥,自负偏听,不辨人鬼,不无轻浮,以致被厉鬼所惑,陷身危境,命悬一发。人物兼具“扇子生”、“穷生”表演特点,尤其剧中后半部“授帚”一场,剧情突转,节奏激变,人与鬼、生与死、情与理、善与恶的尖锐矛盾交织于王生一身,“甩发”功的运用,为揭示主人公复杂的内心世界起到其他艺术手段无法取代的有益作用。
The drama “rejection hair” (also known as “water hair”, “tip”), is a veteran, niche actor most of the skills, often seen in Takefu, net and Dan angle, but niche categories of “poor life” “Squatting”, “Scooby-raw”, etc.) is one of the artistic means that “poor life” actors must master. According to the “Painted Skin” drama created by “Strange Tales from a Lonely Studio”, the protagonist Wang Sheng is a “Hong Men Xiu Shi”, romantic and self-reliant, not ghostly, not frivolous, Life hanging hair. Characters both “fan life”, “poor life” performance characteristics, especially in the latter part of the play “broom” a drama sudden, rhythm, people and ghosts, life and death, love and reason, good and evil The sharp contradictions are intertwined with Wang Sheng. The use of “rejection of hair” has played an irreplaceable beneficial role in revealing the hero’s complex inner world.