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顺治、康熙年间晋安诗坛风尚不再固守传统的以盛唐为家法,少数诗人开始把学习探索的目标转向宋诗之瘦硬朴拙,如顺、康之际的许珌、许友昆仲,康熙中后期的张远可为代表。但是需要明确的是,顺治年间渐渐兴起的宋诗风并没有完全取代宗唐之传统。到康熙中晚期,宗唐与趋宋的二元对立,发展成诗人灵感的两个源头。初创于顺治年间、兴盛于康熙时代的平远台诗社前后存续近百年,诗社无论成员人数亦或影响皆冠绝当时,其成员诗风的渐变恰可作为我们窥探顺治、康熙年间晋安诗坛风尚转变一窗口。
Junji, Kangxi years no longer adhere to the traditional poetry style Sheng Tang as the home law, a few poets began to study and explore the goal of Song poetry of the hard and soft, such as Shun, Hong Kang Xu occasion, Kun Xu Kun, Zhong Kangxi Zhang Yuan later can be representative. However, it needs to be clear that the Song poetry style gradually rising during the Shunzhi era did not completely replace the tradition of the Tang dynasty. By the middle and late Kangxi period, the dual opposition between Tang and Song led them to develop into two sources of poet’s inspiration. Founded in Shunzhi years, prosperous in the era of Emperor Kangxi Pingyuan poetry club before and after surviving for nearly a hundred years, no matter the number of members of the poetry community or influence are all at the moment, the gradual change of its poetic style just as we prided Junji, Kangxi years poetry Fashion change a window.