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本文引人注目的着力点在于对一幅剪纸作品的剖析,加以诗歌配伍的方式完成一个剪纸作品的赏析,使读者在通过欣赏剪纸作品的同时,了解作品产生的时代背景,了解作品创作的历史意义,了解作者的技法运用,了解针对一幅作品,观赏者该如何去立体地赏析、审慎地剖析、完整地理解,而不是在展览馆泛泛地、不知所以地看一眼作品,既看不懂,也不知道该如何去欣赏眼前的艺术作品。这同时也给了创作者一个启发,在推出一件艺术作品给观众时,推出的不仅仅是作品本身,还包括作品的产生、创作的动机以及创作者想通过作品传递给观赏者的信息,这都是需要创作者思考的。因为这幅作品是一幅用剪纸的形式来表现战争场面的作品,所以也同时提出了一个新的命题:剪纸这种艺术形式可以表现的领域是否仅仅限于民俗方面?可不可以去表现更为广阔的主题内容?如果这个时代呼唤剪纸这种艺术形式去表现当代的题材,那么有别于民俗题材的作品是否合适?剪刀下的作品是否亦可随着时代的发展向前推进它的表现领域?
The focus of this article is on the analysis of a paper-cut works and the appreciation of a paper-cut works in the way of poetry compatibility, so that readers can understand the background of the creation of the works and appreciate the history of creation Meaning, understand the use of the author’s techniques, understand a piece of work, the viewer how to appreciate the three-dimensional analysis, a careful analysis, a complete understanding, rather than in the museum general, I do not know so to look at the work, can not read , Do not know how to appreciate the immediate works of art. It also gives creators the inspiration that when a work of art is introduced to an audience, it is not just the work itself, but also the creation of the work, the motivation for creation and the information that the writer wants to convey to the viewer through the work, This all requires creator thinking. Because this work is a piece of paper that shows the scene of war in paper-cut form, a new proposition is also put forward at the same time: Can the field of paper-cut art form be limited to folk customs? Can it be more expansive? If this era calls for the art of paper-cut to represent contemporary themes, is it appropriate to use works that are different from folk themes? Can the works under scissors promote its performance areas with the development of the times?