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上世纪九十年代,欧阳东宁在南京认识了著名的天文学家、易学家南京大学卢央教授,使他对《易经》产生了极大的兴趣。而国学大师南怀瑾的一句话无疑对欧阳选择以抽象的艺术形式表现易经有直接的启发。南怀瑾说:“我们的艺术家学了《易经》,也可以另外画一种抽象画,那或尝不是一种《易经》呢?”《易经》中的象、数、理、六爻之变动,解释天、地、水、火、风、雷、山、泽的现象和道理,说明宇宙人生变化的法则,实则是一种深奥的哲理与东方的智慧,这在欧阳看来,在一切绘画的表现形式上,只有抽象最能切近并完美地表达它的境界。欧阳东宁的作品,一
In the nineties of last century, Ouyang Dongning met the famous astronomer and professor Lu Yang of Nanjing University in Nanjing, which made him have a great interest in The Book of Changes. The Guoxue master Nan Huai-Jin’s words undoubtedly Ouyang choose to abstract the art form of Yi Jing direct inspiration. Nan Huai-jin said: “Our artist learned the Book of Changes and can draw another kind of abstract painting. Is it not a kind of” I Ching “?” "The Book of Changes, The changes of the Six Dynasties explain the phenomena and truths of heaven, earth, water, fire, wind, thunder, mountains and mountains, and the laws that illustrate the changes in the life of the universe are in fact a profound philosophy and the wisdom of the East. In all manifestations of painting, only the abstraction can be most close and perfect expression of its realm. Ouyang Dongning’s work, one