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戏剧作为一种艺术,其价值绝对不能等同一般性的流通商品,这一点是人所认同的。但如果戏剧的生存已面临威胁,其大部分都将被推入市场,(随着改革的进一步深入发展,戏剧界实际上已经处于这种状况,)那么其运作方式甚至走向就必须遵循或大体符合于市场竞争的规则。在现今社会里,旅游、饮食、体育、各种各样的消闲娱乐、股市等等,已占据了各个消费层面。填满了每一个可以填充的角落。客观地讲,已经没有什么市场份额等着戏剧去享有了。低谷也好,不景气也好,危机也好,
Theater as an art, its value can not be equated with the general circulation of goods, it is generally accepted. However, if the survival of the theater is already threatened, most of it will be pushed into the market (as the theater is in fact already in such a state as the reform progresses further), its mode of operation must even be followed or generally followed In line with the rules of market competition. In today’s society, tourism, food, sports, all kinds of leisure and entertainment, the stock market, etc., have occupied the consumer level. Fill each corner can be filled. Objectively speaking, there is no market share waiting for the drama to enjoy. Downturn Ye Hao, downturn Ye Hao, crisis Ye Hao,